Less Is More

LESS IS BORE. INTRODUCTION HOW CAN hotshot DESCRIBE AND ANALYSE AN graphicsISTIC MOMENT WHILE IT IS GOING ON? SO IN CASE OF POSTMODERNISM, HISTORY OFFERS NO INSIGHT AS TO THE SCOPE OF THE MOMENT BECAUSE WE ARE IN ITS MIDST. EXPLANATION I NEVER K overbold ANYBODY . . . WHO FOUND disembodied spirit SIMPLE. I THINK A LIFE OR A TIME LOOKS SIMPLE WHEN YOU LEAVE OUT THE DETAILS. compar competent WAS THE THINKING OF ROBERT CHARLES VENTURI WHEN HE TOSSED HIS FAMOUS QUOTE LESS IS BORE, WHICH coat THE WAY FOR POSTMODERNISM IN THIS MODERN human.ACCORDING TO THE ideal LESS IS BORE IT DEFINES THAT POSTMODERNISM IS SO ELUSIVE BECAUSE IT IS A SET OF decomposable CONCEPTS AND ABSTRACT PREMISES, NOT nonp aril CENTRAL mood. IT IS ONE OF THE HARDEST PHILOSOPHICAL AND ARTISTIC MOVEMENTS TO DEFINE HOWEVER, ITS oftentimes(prenominal) skeletal frame CAN BE FOUND IN VISUAL ART, LITERATURE AND computer architecture. THIS CONCEPT ADVOCATES EMBRASING CONTRADICTION AND COMPLEXITY IN golf-club TO C REATE VALID AND critical WORKS. ITS ARGUES ARCHITECTS TO LEAVE THE TENETS OF handed-down MODERNISM BEHIND IN PURSUIT OF law IN ITS TOTALITY.THIS MEANS THAT POSTMODERNISM IS A COMPLEX SET OF accredited NATURE OF ARCHITECTURE AND IT IS MORE REAL THAN OVERLY PLANNED, HYPPER-LOGICAL MODERNIST CONSTRUCTIONS. POSTMODERNISM BEGAN AS AN external STYLE IN AROUND 1950S AND CONTINUES TO INFLUENCE ARCHITECTURE cashbox THIS DAY. POSTMODERNITY IN ARCHITECTURE IS SAID TO BE HERALDED BY THE gamble OF WIT, ORNAMENT AND REFERANCE TO THE ARCHITECTYRE IN RESPONCSE TO THE FORMULATION OF INTERNATIONAL STYLE OF MODERNISM.WITH THE START OF POSTMODERNISM THE running(a) AND FORMALIZED SHAPES AND SPACES OF THE MODERIST STYLE ARE REPLACED BY DIVERSE AESTHETICS AND NEW WAYS OF VIEWING FAMILIAR STYLE AND SPACES AROUND. THE MODERNISM IS ROTTED IN MINIMAL AND TRUE USE OF MATERIAL BUT WE FIND A WHOLE ABSENCE OF ORNAMENTATION. BUT IN CASE OF POSTMODERNISM, THERE IS A STRONG REJECTION OF STRICT RULES SET BY T HE EARLY MODERNISTS AND THERE IS A PURSUIT OF SEEKING MEANING AND EXPRESSION IN THE USE OF seduce TECHNIQUES, FORM AND STYLISTIC REFRENCES.WHY ACCORDING TO ROBERT CHARLES VENTURI LESS IS BORE THE IDEAL ART, THE NOBLEST OF ART COULD ONLY BE DONE BY WORKING WITH THE COMPLEXITIES OF LIFE, REFUSING TO SIMPLIFY, TO OVERCOME DOUBT. each WHERE EXCEPT IN ARCHITECTURE, COMPLEXITTY AND CONTRADICTION HAS BEEN ACKNOWLEDGED, FROM GODELS PROFF OF ULTIMATE INCONSISTENCY IN MATHEMATICS TO ELIOTS ANALYSIS OF backbreaking POETRY TILL JOSEPH ALBERS DEFINATION OF THE PARADOXICAL QUALITY OF PAINTING. BUT LUCKLY VENTURIS INFLUENCE SHOWS UP THE result OF WHOLLY NEW SITUATION IN ARCHITECTURE.HIS CONTRIBUTION TO THE ARCHITECTURE CAME IN SUCH A TIME WHEN MODERNIST ARCHITECTS HAD ERRONEOUSLY ASSUMED THAT THEIR WORK WOULD EVENTULLY move PLACE AS A CONGENIAL NEIGHBOR TO THE new(prenominal) diachronic STYLES. BUT VENTURIES AWARNESS TOWARDS THE VERSION OF CLASSICAL ELEMENTS OF DESIGN HELPED HIM TO INTROD UCE THE WORLD WITH LESS IS BORE CONCEPT. HE HAS MADE A SPECIAL judge TO RELATE ARCHITECTURE TO OTHER THINGS, AND ALSO HE HAS SET A RELATION BETWEEN COMPLEXITY AND CONTRADICTION IN ARCHITECTURE. SO, THE POSTMODERNISM WELCOMES THE PROBLEMS AND EXPLOIT THE UN originitativeTIES.IT EMBRACES CONTRADICTIONS AS salutary AS COMPLEXITY AND AIM FOR VITALITY AS healthy AS VALIDITY. WHILE MODERNISM REJECTS DEVINE MEANING, THE BEAUTY OF NATURE AND THE FOCUS ON THE HUMAN BODY, POSTMODERNISM WISHES TO BRING TO FRUIT IDEAS OF ENLIGHTMENT THAT MODERNISM REJECTS. MODERNISM HOLDS THAT WHAT IS IMPORTANT IS THE IDEA OR OBJECT A give voice REPRESENTS, POSTMODERNISM HOLDS THAT WHAT IS IMPORTANT IS THE ACTUAL WORD ITSELF. ART CAN BE SATISFACTORILY DESCRIBED ONLY WHEN IT IS silent NOT TO FULFILL THE EXPECTATIONS WHICH IT AROUSES.SO WE essential soundless THE NATURE OF ART, IT IS NECESSARY TO onward FURTHER ANALYZING COMPLEXITY AND CONTRADICTION IN ARCHITECTURE. ARCHITECTURE CANNOT BE UNDERSTOOD AS A RT UNTIL ART HAS BEEN UNDERSTOOD IN GENERAL. A major PROBLEM IN ART HAS BEEN A SUPPOSEDLY NECESSARY consanguinity BETWEEN THE WORK OF ART AND THE EXPERIENCE OF ART. LOOKING AT pictural DESIGN, THERE ARE NO LAWS, BUT THERE ARE CERTAIN IDEAS around SYSTEMS, RULES AND FORM. HOWEVER, IT SEEMS THAT MANY OF VENTURIS PRINCIPLES WORK EFFECTIVELY IN A graphic DESIGN CONTEXT VARIETY, INCLUSION, AND TENSION ARE ALL KEY COMPONENTS TO successful AND COMPELLING WORKS.WHILE GRAPHIC DESIGN PROJECTS GENERALLY HAVE A MUCH SHORTER LIFE SPAN THAN ARCHITECTURAL WORKS, IT IS INTERESTING TO CONSIDER THE GRAPHIC ornament IN REFERENCE TO THE CITY LANDSCAPE. AS VENTURI DISCUSSED THESE IDEAS IN RELATION TO both THE SINGULAR BUILDING AND THE DYNAMIC, LIVING CITY, WE CAN ALSO THINK ABOUT OUR DESIGN WORK AS INDIVIDUAL ENTITIES AS WELL AS PARTS OF A WHOLE BY CONSIDERING HOW THEY FIT IN WITH some(prenominal) CONTEMPORARY AND HISTORIC EXAMPLES OF GRAPHIC DESIGN.CERTAINLY HIS IDEA OF REPURPOSING HISTORICAL OR TRADITIONAL ELEMENTS ALSO APPLIES TO ARCHITECTURAL DESIGNPOSTMODERNISM WOULD NOT EXIST WITHOUT THIS CONCEPT. LETS US hit the books THE EXAMPLE OF RESIDENCE IN CHESTNUT HILL, PA. , VENTURI AND RAUCH, 1962. THIS BUILDING RECOGNIZES COMPLEXITIES AND CONTRADICTIONS IT IS BOTH COMPLEX AND SIMPLE, OPEN AND CLOSED, BIG AND LITTLE SOME OF ITS ELEMENTS ARE GOOD ON ONE LEVEL AND BAD ON ANOTHER ITS ORDER ACCOMMODATES THE generic wine ELEMENTS OF THE HOUSE IN GENERAL, AND THE CIRCUMSTANTIAL ELEMENTS OF A HOUSE IN PARTICULAR.IT ACHIEVES THE DIFFICULT UNITY OF A MEDIUM NUMBER OF DIVERSE PARTS rather THAN THE EASY UNITY OF FEW OR MANY MOTIVAL PARTS. THE INSIDE SPACES, AS REPRESENTED IN PLAN AND SECTION, ARE COMPLEX AND DISTORTED IN THEIR SHAPES AND INTERRELATIONSHIPS. THEY CORRESPOND TO THE COMPLEXITIES INHERENT IN THE DOMESTIC PROGRAM AS WELL AS TO SOME WHIMSIES NOT INAPPROPRIATE TO AN INDIVIDUAL HOUSE. ON THE OTHER HAND, THE OUTSIDE FORMAS REPRESENTED BY THE PARAPETED WALL AND THE gable ROOF WHICH ENCLOSE THESE COMPLEXITIES AND DISTORTIONS IS SIMPLE AND CONSISTENT IT REPRESENTS THIS HOUSES PUBLIC SCALE.THE FRONT, IN ITS courtly COMBINATIONS OF DOOR, WINDOWS, CHIMNEY AND GABLE, CREATES AN ALMOST SYMBOLIC IMAGE OF A HOUSE. SO, WE ALL MUST KNOW THAT POSTMODERNISM IS AN ART OF CREATING THE ANOMALIES AND UNCERTAINTIES THAT GIVE VALIDITY TO ARCHITECTURE, THE ARCHITECTURE MUST BE REACTING AGAINST SOMETHING. SO WHILE THERE ARE NO FIXED LAWS, ARCHITECTURE BENEFITS FROM SOME SENSE OF ORDER OR A SYSTEM SO THAT IT CAN REACT. BECAUSE SYSTEMS CANNOT ACCOMMODATE EVER CIRCUMSTANCE, ARCHITECTURE SHOULD STRIVE TO DEFY ORDER AND THE ALTERING OR BREAKING OF ORDER ENHANCES THE DEEPER MEANINGS OF THE ARCHITECTURE. slight Is MoreLess Is More whatever say that pitiable stories argon pointless, who could possibly keep open a story in just 55 rule books and it light up sense? Well it has been done and it works quite well It takes an author of great skill to be able to put so much knowled ge into such a small piece of writing, to be able to fit in all the necessities. These authors have their own genre of writing. Some of these atrocious authors include Lydia Davis, Marg bet Atwood, and Terry L. Tilton. These ar just a some of the pop outstanding forefronts behind some of the best curtly stories ever written.Not merely do these authors use the lack of words in such a government agency to wanton the bear witnesser more involved in the publication of the story, they in addition use less words to be more dramatic, and to go forth you with questions. In the short story That Settles That, Terry L. Tilton uses 55 words to screw an entire story. Here it is, Tom was a handsome, fun-loving young man, albeit a turning drunk when he got into the argument with Sam, his roommate of just two months. You great dealt. You substructure non write a short story in just 55 words, you idiot? Sam shot him dead on the spot. Oh yes you can, Sam state, smiling. This story is outstanding It shows how much can be said in just a few words and leaves so more blanks for the proofreader to fill in. Some may look at this as being lazy, to leave so much for the reader to figure out on their own, however, for soul to conduct a story in 55 words that begin sense, that is total genus These authors that create these masterpieces roll in the hay that a smoke of readers prefer to be more active as they read. They deal to read between the lines, look underneath the text.Feature Article Short accountThe Plane of the Sleeping BeautyThese readers are very common and the authors know this, they know that their target audience are those who feel as if they are include in the writing process, that they get to decide what race look like and what they wear. They like to have the ability to make these decisions based upon the surrounding text, the information that the author does give. Stories like this one, give the reader the retrieve to work their brains, not just read the plain text for face value. This is a coarse reason that short stories are important, they let active readers give their brain the work out it needs Happy Endings by Margaret Atwood is very dramatic. This short story is all about different ways to write a happy raritying, although these ways involve extraneous situations involving lives that do not end happily, and in the end, no matter what, the main characters end up dying. A short story has to be more dramatic, more involvements need to happen in a short amount of time so the reader doesnt get all the extra information. Think about it as if it is a Thanksgiving dinner, you dont get all the binding and mashed potatoes, just the turkey, thats all you have time forThese writers know that they only have a short amount of space to write in everything that they need so they want the big meaty pieces in on that point so it makes a huge impact Lydia Davis beautifully wrote Letter to a Funeral Parlor. This short story i s a letter that someone tranquil about their father passing away and the funeral parlor using the word Cremains to describe him. Lyndia Davis says, Then we were sitting there in our chairs in the sprightliness room trying not to weep in front of your voice who referred to my father as the cremains.This shows Davis ability to pull at the readers heart strings and make a point. This is a wonderfully written piece and it does exactly what a short story should do Not only does it use a lack of words to have the readers fill in the blanks themselves but she overly writes in a dramatic way. She is very to the point. She also does the final thing that is conveyed within short stories, she leaves you with questions. This is an amazing thing to do, as it leaves the readers wondering. Sometimes there are sequels to short stories and other times it is just another way to get the reader more involved.This give the reader another chance to fill in the blanks. Like in the Letter to a Funeral Parlor, it does not speak of how the father dies, nor does it talk about where they are from or what the people look like. These are all questions the author leaves the readers with, to think about. Readers enjoy version short stories because they are something different from novels. Some people dont want to have a book that takes a week or longer to read, some people dont have solicitude spans that will last through an entire book.Those people want something they can read in 30 seconds or a half bit depending on if its a short short or not. vindicatory because someone is a reader who prefers to read something short does not make then any worse or a reader that someone who likes 1000 page novels. It is all in the preference of the reader. Reading a short story is a good idea for readers because it gives you more options of reading. They are there for the readers who like to figure things out on their own. Short stories are amazing to read.They always leave you with something to think about. These essays are difficult to construct because of the amount of information that needs to be in such a small piece of writing. That is why the authors that do create these pieces of work are to be applauded because not everyone can do it. In a short story the author lets the reader be an active reader, filling in all the extra blanks and details. Short story authors also use fewer words to be dramatic. The less space you have to write, the fewer profitless details and things that you will have.Therefore, the whole content is the important meat. This makes it so that the points are not drawn out, it creates a more climactic piece of work. These authors also leave their readers with questions. This creates the ability to keep the readers intrigued. Short story authors are amazing at what they do, someone like Terry L. Tilton, who has the ability to write a story in 55 words, should be commended or what they do. Works Cited Meyer, Michael, ed. The Bedford asylum to Lit erature. 9th ed. Boston St Martins, 2008. Print. Works Cited Knight