Othello’s Physical and Psychological Journeys :: GCSE English Literature Coursework

Othellos Physical and mental Journeys Othello is the tragedy, and, incidentally, the name of a Moor who serves as a general in the Italian military. He spends the showtime act of Shakespeares play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isnt officially noticeable at all in the play. One outcome hes defending himself in the Senate of Venice, the next hes in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there. His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable aversion of adultery, throwing Othellos orderly world to the winds of fate. ......Still, if the starting point and destination of Othellos initial journey were to be compared to Othellos psychological journey end-to-end the play (and, more importantly, the development of his relationship with the villain, Iago), they are found to be startlingly akin. Whether Shakespeare intended the parallel or not, and there isnt authentically any sure way to tell, the coincidence is great. ......Venice, where the story starts, is a pop out of order, rich and wonderful. Likewise, Othellos relationship with Iago is shown by the third scene of personation One to be, on the surface, based on honesty, respect, and admiration. He says, as he prepares to lead the ships to war honest Iago, my Desdemona must I leave to thee. (1.3.336) eon it may seem nave for Othello to do such a intimacy when trouble is obviously brewing and the sense of foreshadowing is nearly tangible, the lecturer must keep in mind that Venice is an orderly, respected city and the familiars relationship with Iago can be summed up neatly in one sentence spoken by Brabantio ......This is Venice. My house is not a grange. (1.1.119) ......But while Venice is certainly not a grange, there is plenty difference on behind the scenes. One could even argue that Iagos first scene when he incites Desdemonas father to go and take avenge on Othello by using racist and bestial slurs is very similar to the first talks of war in the Senate and the general being told he must leave his homeland to defend Cyprus from the Turks. ......An old black hammer in is tupping your white ewe, (1.1.98) Iago shouts to Brabantio, at the same moment that Othello is being informed of his overbold assignment.