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Monday, January 9, 2017

Poetry Analysis - Maya Angelou

Maya Angelou was born as marguerite daisy Johnson on April 4th, 1928 in St. Louis Missouri. An African-American that rose to fame with the publication of her memoir, I Know Why the Caged sibilation Sings; which made literary level as the first nonfiction best-seller written by an African-American women. Maya Angelou received over 50 congratulatory doctorate degrees, be looking a famed courtly rights activist, filmmaker, historian, actress, dramatist, memoirist, producer, educator, and poet. On May 28th, 2014 Dr.Maya Angelou passed apart from heart problems. Phenomenal charwoman by Maya Angelou is a storey rime that tells the celebration of a womans thriving life. With Maya Angelous use of imagination, tone, and symbolism. The short narrative poem frameworks into a hymn-like poem, representing the inner beauty that makes her a phenomenal woman.\nPhenomenal char by Maya Angelou contains a respectable amount of resource. Imagery gives the proofreader the ability to captu re the desktop in their head, to their penchant. Dr.Maya Angelou heavily uses imagery to describe herself. For example, in lines 7-9 she states, The get across of my hips, The stride of my step, The curl of my lips. Maya Angelou proudly speaks of her wide hips, being a feature that many women seem to dislike about themselves. maven more example of propulsive imagery is told in lines 38-40. Its in the arch of my back, The sunshine of my smile, The ride of my breasts. Unlike stuffy beauties of the time, Maya Angelou embodies her features. She defines her smiles write out to be a order of pride that beams as just nowtonlike as the sun.\nNot nevertheless were there strong ties of imagery fused into the poem but also tone. The tone of this poem is written with immense fondness that makes it easily relatable and understandable for women. auberge marks pressure on women to look, act, dress, etc., a certain way that is deemed to be beautiful. Women have had this idea put into t heir head that they d...

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