'Cosi Dramatic Elements Analysis Essay\r'

'La Boit Theatre’s showcase of Cosi written by Louis Nowra and directed by David Bert harmonise is an ruttish revivify, talking of shaft and fidelity. Self’s perception of other people; whether or not love is a unanimous enough reason to trust one another. dickens excerpts centred on different themes will be analysed. This abstract will bring to light certain salient elements and viewpoints of time, body and space that Berthold has used to enhance the melodramatic meaning of this production. Cosi is set in Melbourne during the early 1970s. The play is about a young university student, Lewis (Benjamin Schostakowski) who is asked to direct a play for a mental asylum. Lewis becomes more knotted in the play than he expected when he begins to build family relationships with the patients. He is burdened by the steady opinions and expectations his peers deport on love and fidelity. Louis Nowra includes dramatic techniques such as setting, humour, meta-theatre and symbolism to engross the audience into the foundation of Cosi while conveying certain themes. Two of umpteen differentiate themes within Cosi argon love and fidelity.\r\n fit to Mozart’s Cosi Fan Tutte, the matter of fidelity is draw to be a social standard that is never met. The notion of fidelity is touched upon regularly throughout ‘Cosi’. In particular, Act Two, paroxysm One, Lucy arrives at the asylum to pick up Lewis, coincidently while Lewis has leave the room. Lucy notices his script and begins to read it, finding it absurd that a man would ‘ruin [himself], for a worthless fair sex’, Lucy throws the script on the chair in disgust. This visible gesticulate re-establishes her viewpoint on the treatment of women. Lewis enters the room surprised to see Lucy on that point. At this point the actors are positioned centred stage a port from any prop, this spatial relationship and clear view line draws the audiences digest to them. Moreo ver, Berthold has tot completelyy allowed for Lucy and Lewis to be present on stage at this time.\r\nThis choice of positioning creates an unembellished set, once once more directing all attention to them. Lewis has let his new naturalised relationships with the patients influence his decision to not go with Lucy. As Lewis tells Lucy that he will be staying there and continuing with the production his replies become more to the point. Lewis’ upset(prenominal) firm tone contests Lucy’s strong, deep and borderline intimidating line delivery. This combined with their close proximity creates a rise in dramatic focus of relationship. As Lewis starts to question Lucy about nick, pointing out that she’s ‘seeing a lot of someone [she doesn’t] corresponding’ he notices a change in her stance. The focus is directed towards Lucy as she changes her posture, putting her hands on her hips and avoiding eye contact. This change in body nomenclature suggests that Lucy is hiding something.\r\nLewis and Lucy both pause and look at each other. This contrast in vocal train assists the audience to suspect a rise in dramatic tightness. Given the previous example, Berthold was sufficient to expose a scene of true suspense and tension through the use of different viewpoints and vocal delivery. The contrasting theme shown throughout Cosi is the theme of Love. For example, Act One, Scene Three, the musical is at risk of being omit low because Doug had set lift to the toilets. Justin, the man who unionized for Lewis to be there was about to cancel the musical. As the dramatic tension begins to build, Justin threatens Doug saying that he’ll radiate him back to the closed ward. flushed interrupts Justin, yelling that the fire was her fault. The director through use of Viewpoints has allowed Cherry to have a kinaesthetic response with her line. This is achieved by her child- equal gesture of raising her hand as she spoke. Wi th the assumption peck it was made clear that the fire was not Cherry’s fault.\r\nLove is the reason she lied. Her time with Lewis would no longer exist if the musical were cancelled. The relationships these characters have established with each other have affected the way they’ve made their decisions. For Example, Cherry has shown her love for Lewis by share her food with him and sending him love letters. This profound core for Lewis caused her to take the blame for the fire. If Justin believed it was Doug he would’ve shut down the musical, meaning that Cherry wouldn’t be competent to see Lewis again. Shortly after, Henry goes to speak up pointing out that Cherry is lying. Roy realises the delicacy of the situation, leading him to pertain Henry, shutting him up. This is shown through Roy’s facial expressions and somatogenic gestures. At this point Justin, Lewis, Doug and Cherry are all positioned Stage Left creating a circle-like formation. \r\nBerthold has placed them like this to direct the audiences’ concentration to one place instead than scatter the energy through the entire set. By manipulating the use of vocal delivery and positioning Berthold has been able to highlight the important aspects of this scene. The evidence previously given supports the fact that David Berthold has indeed created a thought enkindle theatrical piece. Love and Fidelity are both contrasting themes shown throughout Cosi. The struggle and fight to hold onto the notion of fidelity is contrasted with their perception of love. These two perspicuous themes are why Cosi is seen as such an emotional and relevant play. Thus in summary, through Berthold’s manipulation of certain dramatic elements and viewpoints the delivery and depicted object of Louis Nowra’s Cosi was more than exceptional.\r\n'