President Nixon & Jumpology Essay

superstar of the other novel contributions was the series of jump pictures where his clients, including the standardizeds of President Nixon, Marilyn Monroe, Duke and Duchess of Winsor jumped for him. Halsman always believed that the jumps revealed much realistically the latent idiosyncrasies of the personality of his clients. (Merryman, 2002) The ideation of this particular pictorial genre had, of course, its beginning in Halsmans photography of the animated antics of many of the celebrated comedians like Sid Caesar, Bob Hope, Groucho Marx who were captured in his film.Halsman could readily realize that, contrasted with their more traditional portraits, the characters came prohibited in full life and vigor when they jumped. To quote Halsman When you ask a person to jump, his attention is mostly directed toward the act of jumping and the screen falls so that the real person appears. (Halsman, 1986) Incidentally his published sacred scripture 1959 titled Philippe Halsman Jum p book is replete with 178 photographs of numerous celebrities jumpers, interwoven with humorous discussion on jumpology.(Halsman, 1986) linnilabelled. wordpress. com/2007/10/06/philippe-halsman-the-father-of-jumpology/ http//astadnik. file. wordpress. com/2008/04/bb2. jpg Halsmans jumpology created a genre in photography which moved and inspired a lot of people, professional and otherwise. Philippe Halsman Fritz Gruber (Writer) and the mob Jumping on Set profile. myspace. com/index. cfm? fuseaction=userIn 1958, to recognise his contribution Halsman was included in Popular Photographys Worlds Ten Greatest Photographers along with Irving Penn, Richard Avedon, Ansel Adams, Henri Cartier-Bresson, Alfred Eisenstaedt, Ernst Haas, Yousuf Karsh, Gjon Mili, and Eugene Smith. American Society of Magazine Photographers gave him the intent Achievement in Photography Award in 1975. Halsman believed that his career mature and his art came to fruition in his adopted country, America. He thus make America, the subject of his works in myriad ways.One review noted Halsmans unsanctimonious and immensely intense portrayal of American bounce. When we look ski binding in time at the works and contribution of Philippe Halsman, we see the husking or even invention of a nation as seen by an artist through the lens of his camera which took into account not completely imagination but also the psychology of the country and its people. His images form a vivid portrayal of prosperous American of the mid 20th century. In that respect his adopted country became his creation.